In Portrait of the young girl on fire, broadcast this evening from 8:55 pm on Arte, Céline Sciamma (Bande de filles, Tomboy) films a love passion forbidden in the 18th century. Marianne (Noémie Merlant), a painter, has to paint the portrait of Héloïse (Adèle Haenel), a young bourgeois extracted from the convent because she was promised to a forced marriage. Resisting her fate as a wife, Héloïse refuses to pose. Marianne will have to paint it in secret. Introduced to her as a companion, she watches her.

The look. This is undoubtedly one of the key elements of Céline Sciamma’s film. That of a painter on his model. And reciprocally. That of the director on her actresses, Adèle Haenel and Noémie Merlant. “The film is centered around the question of the gaze. The gaze in the dialogue of love, the gaze in the dialogue of creation” explains the director Céline Sciamma. “He also poses the question of cinema: what does it mean to watch its performers? And because cinema is an extremely collaborative art, the question arises of what we create as an organic relay, of these looks between us, on the set. shooting.”

A vibrant ode to art, women and love, Portrait of the Girl on Fire received the award for best screenplay at the 72nd Cannes Film Festival, a nomination for the prestigious Golden Globes (best foreign film), as well as the César 2020 for best photography (out of nine nominations). It was during its presentation at the Festival du (…)

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